Browsing by Subject "Cinema"
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Publication Restricted Interior Design and Atmosphere Creation in Wes Anderson Films(2025) Gizem Tüzün; Prof. Javier Martin; Dr. Daniel Martin; Interior Architecture/Interior Design (MA) (Two-Year); Berlin International University of Applied SciencesThis thesis investigates how interior design constructs cinematic atmosphere in Wes Anderson’s films and how this language can be applied to real-life interiors. Atmosphere is considered as the interaction of material, surface, and light. The method is qualitative, interpretive, and comparative; the theoretical framework draws on Giuliana Bruno’s emotional/inner mapping and Juhani Pallasmaa’s concepts of haptic imagery and lived space. The data for the study consists of selected interior-focused scenes from Anderson’s films and relevant literature. The analysis is conducted in two stages: in the first stage, materials, color, texture, lighting, threshold, and circulation patterns are compared within the films; in the second stage, recurring “atmospheric codes” across the films are extracted and transformed into a framework of design principles. This framework is tested at the room scale in Ceceyan Han, where office interiors with diverse atmospheres are created while preserving the historical shell. The findings demonstrate that interiors function as narrative actors and that surface-light pairings reliably modulate affect. The thesis presents a systematic, testable and reusable framework of design principles that transcends visual simulation and transfers film-based atmospheric generation to interior design.Item Restricted Intersection of Architecture and Cinema : The Role of Architectural Space in Stanley Kubrick Movies(2023) Ecehan Erarici; Aquilar, Giorgia; Huneck, Karsten; Faculty of Architecture and Design; Berlin International University of Applied SciencesAI-GENERATED ABSTRACT: Abstract: This study explores the intricate relationship between architecture and cinema, with a particular focus on the work of director Stanley Kubrick. Recognizing the interdisciplinary nature of these fields, the research delves into how cinema, especially through Kubrick's visionary approach, influences and is influenced by architectural concepts. The investigation acknowledges architecture's inherent reliance on a blend of natural, social, and anthropological elements, and positions cinema, notably due to its temporal and spatial dimensions, as a closely related art form. Kubrick's films are renowned for their atmospheric and spatial depth, which this study argues is not merely a backdrop but a critical component of storytelling. The thesis is structured into two main parts. The first part examines the theoretical underpinnings of the relationship between architecture and cinema, focusing on their shared understanding of space and atmosphere. The second part offers a practical analysis through spatial and functional examinations of Kubrick's films, such as "The Shining," "A Clockwork Orange," and "2001: A Space Odyssey." These films are selected for their significant architectural elements and set designs, providing a rich ground for exploring the symbiotic relationship between the two disciplines. Methodologically, the study employs a combination of literature review, film analysis, and architectural examination. It seeks to understand how Kubrick's cinematic techniques and set designs can inspire architectural creativity and vice versa. By analyzing Kubrick's unique approach to scenography, symmetry, and spatial narratives, the research aims to unveil new dimensions in the understanding and application of architectural space within the cinematic context. Ultimately, the study presents a design approach influenced by Kubrick's work, suggesting innovative ways to integrate cinematic elements into architectural practice. Keywords: Architecture, Cinema, Stanley Kubrick, Interdisciplinary Studies, Spatial Design, Set Design, Film Analysis, Cinematic Techniques, Scenography, Atmosphere in Film