Anwandter, Juan AlmarzaSchroeder, SüheylaEcesu UsluBerlin International University of Applied Sciences2023-07-192025-11-282025-11-282022https://repository.berlin-international.de/handle/123456789/880AI-GENERATED ABSTRACT: Abstract: This research paper examines the use of diegetic and non-diegetic sounds in video editing and their impact on the perception of the video. Diegetic sounds are those that originate from within the fictional world of the film, while non-diegetic sounds are external to that world. The paper explores the different purposes and effects of using these sound categories in video editing, with a focus on music videos. The analysis of music videos and interviews with both designers and non-designers provide insights into how sound choices can shape the audience's perception. By understanding the role of sound in video editing, practitioners can create higher-quality videos and explore new editing possibilities. Keywords: Diegetic sounds, non-diegetic sounds, video editing, perception, music videosMACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction 3 2. Diegetic Sound 2.1 Usage of diegetic sounds 3 2.2 Meta diegetic sounds 3 3. Non Diegetic Sounds 3.1 Usage of non diegetic sounds 4 3.2 Trans diegetic sounds 4 3.3 Impact of music 4 4. Case Studies 6 4.1 Taylor Swift - All Too Well: The Short Film 6 4.2 All Time Low - Last Young Renegade 6 4.3 Too close to touch - Before I Cave In 6 4.4 Keaton Henson - To Your Health (Channel 4 ver.)6 4.5 The Devil Wears Prada - Watchtower 6 5. Interviews 15 6. Design Project 18 7. Conclusion 19 8. References 21engMusic VideosNon-Diegetic SoundsPerceptionVideo EditingDiegetic SoundsThesis