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The Impact of Context on the Perception of Graffiti as Vandalism or Art, and Its Translation in Editorial Design

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dc.contributor.advisorHinze, Martin
dc.contributor.advisorRieß, Henrik
dc.contributor.authorSofia Reghellin
dc.contributor.departmentFaculty of Architecture and Design
dc.contributor.otherBerlin International University of Applied Sciences
dc.date.accessioned2024-01-15
dc.date.accessioned2025-11-28T13:26:56Z
dc.date.available2025-11-28T13:26:56Z
dc.date.issued2023
dc.description.abstractAI-GENERATED ABSTRACT: Abstract: Graffiti has been a subject of debate, with conflicting views on whether it is art or vandalism. This thesis addresses the role of context in shaping the perception of graffiti, considering factors such as location, social norms, and purpose. The central argument is that graffiti can be both art and vandalism, depending on the context in which it is encountered. The research explores the impact of context on people's perception of graffiti and its representation in editorial design, which often promotes opposing messages. The goal is to foster a nuanced understanding of graffiti as a multifaceted art form, going beyond traditional stereotypes. The methodology involves a mixed-method research design, including a literature review, interviews with graffiti artists and experts, and a general survey to gauge public perception. By providing insights into the complexities of graffiti, this research can inform public policy, community initiatives, and design practices. Keywords: Graffiti, art, vandalism, context, perception, editorial design, mixed-method research, literature review, interviews, surveyen
dc.description.degreeBA
dc.description.tableofcontentsMACHINE-GENERATED CONTENTS NOTE: Table of Contents i. Introduction and Connection to the Findings..........................04-05 ii. Context............................................................06-07 A. the Origins of Street Art.......................................08-09 B. the Role of Galleries...........................................10-11 C. the Influence of Culture and History............................12-13 iii. Case Studies......................................................14-15 A. Post Graffiti Vs Times (1983)...................................16-17 B. Abstract Graffiti Magazine Vs Post Graffiti Catalogue (2022)....18-20 C. Case Study Conclusions..........................................21 iv. Catalogue and Zine in Detail.......................................22-27 A. Galleries and Street Art........................................28-31 B. Theory and Interpretation.......................................32 volumes Design Project......................................................33 A. Methodology.....................................................33-34 B. Results and Discussion..........................................35-41 vi. Conclusions........................................................42-43 A. Summary........................................................44-45 B. Future Work....................................................46-47 vii. Citations.........................................................48-50 viii. List of Figures..................................................51-56 ix. Appendix...........................................................57 A. Interview Transcript Kiwi.......................................58 B. Interview Transcript Selva......................................59 C. Interview Transcript Taleggio...................................60en
dc.identifier.urihttps://repository.berlin-international.de/handle/123456789/704
dc.language.isoeng
dc.subjectArt
dc.subjectContext
dc.subjectEditorial Design
dc.subjectLiterature Review
dc.subjectMixed-Method Research
dc.subjectPerception
dc.subjectSurvey
dc.subjectVandalism
dc.subjectGraffiti
dc.titleThe Impact of Context on the Perception of Graffiti as Vandalism or Art, and Its Translation in Editorial Design
dc.typeThesis

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