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Intersection of Architecture and Cinema : The Role of Architectural Space in Stanley Kubrick Movies

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dc.contributor.advisorAquilar, Giorgia
dc.contributor.advisorHuneck, Karsten
dc.contributor.authorEcehan Erarici
dc.contributor.departmentFaculty of Architecture and Design
dc.contributor.otherBerlin International University of Applied Sciences
dc.date.accessioned2024-01-15
dc.date.accessioned2025-11-28T13:27:27Z
dc.date.available2025-11-28T13:27:27Z
dc.date.issued2023
dc.description.abstractAI-GENERATED ABSTRACT: Abstract: This study explores the intricate relationship between architecture and cinema, with a particular focus on the work of director Stanley Kubrick. Recognizing the interdisciplinary nature of these fields, the research delves into how cinema, especially through Kubrick's visionary approach, influences and is influenced by architectural concepts. The investigation acknowledges architecture's inherent reliance on a blend of natural, social, and anthropological elements, and positions cinema, notably due to its temporal and spatial dimensions, as a closely related art form. Kubrick's films are renowned for their atmospheric and spatial depth, which this study argues is not merely a backdrop but a critical component of storytelling. The thesis is structured into two main parts. The first part examines the theoretical underpinnings of the relationship between architecture and cinema, focusing on their shared understanding of space and atmosphere. The second part offers a practical analysis through spatial and functional examinations of Kubrick's films, such as "The Shining," "A Clockwork Orange," and "2001: A Space Odyssey." These films are selected for their significant architectural elements and set designs, providing a rich ground for exploring the symbiotic relationship between the two disciplines. Methodologically, the study employs a combination of literature review, film analysis, and architectural examination. It seeks to understand how Kubrick's cinematic techniques and set designs can inspire architectural creativity and vice versa. By analyzing Kubrick's unique approach to scenography, symmetry, and spatial narratives, the research aims to unveil new dimensions in the understanding and application of architectural space within the cinematic context. Ultimately, the study presents a design approach influenced by Kubrick's work, suggesting innovative ways to integrate cinematic elements into architectural practice. Keywords: Architecture, Cinema, Stanley Kubrick, Interdisciplinary Studies, Spatial Design, Set Design, Film Analysis, Cinematic Techniques, Scenography, Atmosphere in Filmen
dc.description.degreeBA
dc.description.tableofcontentsMACHINE-GENERATED CONTENTS NOTE: Table of Contents Introduction 1.1 Space Beyond Architecture: The Cinematic Sequence 1.2 Aims and Questions 1.3 Methodology Architecture and Cinema 2.1 Architectural Space, Cinematographic Space 2.2 Relation of Architecture and Cinema 2.3 Set Design as Architecture? Stanley Kubrick as a Cinematic Architect 3.1 Stanley Kubrick and His Spatial Awareness 3.2 Kubrick's One-Point Symmetry as Scenography 3.3 Inside and Outside Spaces of Stanley Kubrick Kubrick's Movies as Case Studies 4.1 Criteria for Evaluating Movie Locations and Set Designs 4.2 The Shining 4.3 A Clockwork Orange 4.4 2001: A Space Odyssey 4.5 Review of the Case Studies Design Project 5.1 Concept 5.2 Development 5.3 Typologies Learning from Cinema / Kubrick List of Figures Referencesen
dc.identifier.urihttps://repository.berlin-international.de/handle/123456789/814
dc.language.isoeng
dc.subjectAtmosphere In Film
dc.subjectCinema
dc.subjectCinematic Techniques
dc.subjectFilm Analysis
dc.subjectInterdisciplinary Studies
dc.subjectSet Design
dc.subjectSpatial Design
dc.subjectStanley Kubrick
dc.subjectArchitecture
dc.titleIntersection of Architecture and Cinema : The Role of Architectural Space in Stanley Kubrick Movies
dc.typeThesis

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