The representation of interior design aspects in music video
| dc.contributor.advisor | Ebert, Carola | |
| dc.contributor.advisor | Pöğün-Zander, Yüksel | |
| dc.contributor.author | Coustry, Joanne | |
| dc.contributor.department | bachelor thesis in Interior Design | |
| dc.date.accessioned | 2021-01-11 | |
| dc.date.accessioned | 2025-11-28T13:26:31Z | |
| dc.date.available | 2025-11-28T13:26:31Z | |
| dc.date.issued | 2020 | |
| dc.description.abstract | "The music industry is currently one of the world's largest, featuring Spotify, Deezer, SoundCloud and many other music streaming platforms. Every artist, every album and every song are accessible through just one touch on our phones, tablets or laptops. Videos are now what one remembers visually from a song, an artist. Before this current era, in which we consume via a plethora of platforms, people were used to buying albums with physically interesting designs. Videos are what interest us most after the lyrics. Some would say that videos keep the listeners from using their imagination fully while others feel that videos support and complete the lyrics, visually showing what the artist wanted to express while writing the song. In order to showcase the lyrics visually, not only are the choreography, the role play or the imagination important, but also the scenography. Interior design can be linked to music video scenography, or any type of scenography for that matter. In fact, an interior designer may generally be seen as a set designer who creates a set for a day-to-day life instead of a five minute show. If one takes out the technical aspects such as load-bearing walls, insulation or which material should be used on a specific surface, the job of an interior designer is to create a visually appealing place. Designers learn about aspects such as lighting and colours, setting elements together in order to create a visual effect, so why should they not be able to do so for music videos? How is interior design represented in the setting of music videos? This thesis aims to explore the links that can be made between interior design practice and the music video world, considering the history of music videos and incorporating an analysis of three contemporary videos." | en |
| dc.description.degree | BA | |
| dc.description.tableofcontents | Introduction -- The history of music videos -- Analysis of three contemporary music videos : "People" by The 1975, directed by Ben Ditto & Warren Fu, 2019 ; "Empire" by Blanche, directed by Wanderkeit, 2020 ; "Light Up" by Alex Germys ft Alex Lucas, directed by InVisual, 2020 ; Comparative analysis of the three case studies -- Exploring interior design for a music video -- Conclusion -- Bibliography -- List of music videos -- List of figures | en |
| dc.identifier.uri | https://repository.berlin-international.de/handle/123456789/612 | |
| dc.language.iso | eng | |
| dc.subject | Relationships to other arts | |
| dc.subject | Scenography for film, TV film/series, video | |
| dc.title | The representation of interior design aspects in music video | |
| dc.type | Thesis |
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